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Steve Jobs 2015 Full Movie HD Online Stream

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  • Title: Steve Jobs
  • Year: 2015
  • Duration: 2h 2m
  • Rating: 7.2
  • Genres: Drama, Biography
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Summary Steve Jobs (2015)

Steve Jobs takes us behind the scenes of the digital revolution, to paint a portrait of the man at its epicenter. The story unfolds backstage at three iconic product launches, ending in 1998 with the unveiling of the iMac.

His passion and ingenuity have been the driving force behind the digital age. However his drive to revolutionize technology was sacrificial. Ultimately it affected his family life and possibly his health. In this revealing film we explore the trials and triumphs of a modern day genius, the late CEO of Apple inc. Steven Paul Jobs.

Earlier, before the launching of the "iMac", the former CEO of Apple Inc, Steve Jobs must battle his own ego to solve his inner problems, including the internal conflict inside his company that cracked his relationship with his own confidant, Steve Wozniak, the continuance of his own family, and his passion to innovate- that affected his own health.

A full on view of Steve Jobs from 1984-1998 encapsuling three distinct product launches. All three events were SRO but the product receptivity was mixed. The film is fast paced and provides insight to the iconic Job's life. Flashbacks aplenty give us further background. Steve Job's many contributions may never be paralleled, yet his method was equally formidable. His relationships are examined and you are left to judge their impact on him, and his impact on those close to him.

Steve Jobs is largely the iconic name and face of Apple Computers, a company he co-founded. He always wants to be in control, in large part an outcome of his childhood, where he knows his biological mother willingly gave him up for adoption. That control often places him at odds with those around him, about which he doesn't care as long as he gets what he wants at the end, including a closed end system for each of his products to maintain his vision rather than users being able to transform his products for their own wants. The state of his life is presented at three specific times, on the day of preparation for the launch of three different products, each for which he is the lead: in 1984 for the Macintosh computer, it being the first new product for Apple since the debut its most successful product, the Apple II, seven years earlier; in 1988 for the NeXT computer, which Jobs outwardly is more concerned about the integrity of the perfect black cube design than its unknown capabilities, but for which he secretly has a specific end goal; and in 1998 for the iMac computer. The significant people in Jobs' life are also presented, they who are at the three launches, if not in person than in direct spirit to the proceedings: Steve Wozniak, Apple's other co-founder who sees himself more as the nuts and bolts man compared to Jobs being the big picture man, with Wozniak wanting as much of a focus on Apple's successful brand as opposed to Jobs' want to focus purely on his product being launched; Joanna Hoffman, his ethnic-Polish head of marketing for each of the three launches, and who acts as much as his mother figure and his moral center; John Sculley, Apple's CEO who is more concerned about meeting the wants of the Board and the shareholders than Jobs'; Andy Hertzfeld, one of the two Andy's, who is chief engineer for the Mac and who needs to meet Jobs' every whim for the product, even if he feels it cannot be done; and Lisa Brennan, who the courts deem to be his biological daughter, a claim which he tried to deny largely to spite Lisa's mother, Chrisann Brennan, whose every action, in Jobs' mind, is for her own best interest as opposed to Lisa's as she claims.

Synopsis Steve Jobs (2015)

The opening titles roll as archive footage plays, of science fiction writer Arthur C. Clarke explaining how personal computers will be a part of our future.

Cupertino, California, 1984.

A 28-year-old Steve Jobs (Michael Fassbender), his right-hand woman Joanna Hoffman (Kate Winslet), and one of the inventors of the Apple Macintosh, Andy Hertzfeld (Michael Stuhlbarg), are all gathered around a projection screen trying to figure out why the Macintosh computer won't say 'hello'. Its revealed they're in a performing arts center, about to do a heavily anticipated product launch for Apple shareholders and press. Joanna suggests that he just leaves it out of the demo, which is minutes away. Steve refuses and insists that it must work. He tells Andy he must make it work. Andy tells him that they need special tools to get inside the machines hardware you cant just use a screwdriver. Steve is furious but Joanna tells them not to talk loudly about the machine they're introducing to the world being hard to open; she points out that Joel Pforzheimer from GQ Magazine is in the nearly empty audience already, having been shadowing Steve for three weeks. He says he doesn't care. He mentions how he wants to sell a million units in three months. Steve then calls for Andy Andy Hertzfeld asks which one (since there is Andy Hertzfeld and a female, Andy Cunningham, who is in charge of the launch). Steve says that since Andy Hertzfeld is already on stage with him, he obviously wants the other Andy. She comes over and he tells her to make sure the Exit signs go off during the video presentation so there is total blackness. When she informs him that the fire department will not let them dim the lights for safety reasons, he tells her, If a fire causes a stampede to the unmarked exits, it will have been well worth it for those who survive. Joanna suggests pushing the demonstration back while they work on the voice feature but Steve says they will always start exactly on time (this will come back to play throughout the film).

Joanna and Steve go backstage. She tries to convince him to just leave the hello out of his demo, that no one will realize there is supposed to be a voice program, but he is insistent it happen because this machines success will dictate whether he is a success or a failure. He later admits that he needs it to say hello because Hollywood has turned the computer into a monster in their films. This computer is designed to look warm and friendly and inviting and he wants it to say hello. She acknowledges that HAL said hello and it scared her (i.e., the film he is referring to is 2001: A Space Odyssey). Joanna complains about both the $2,500 price point of the machine and the fact that it doesn't have much memory; he tells her she can complain about one or the other but memory will up the price point further so she cant complain about both. She asks why he is charging as much and he explains that its new and innovative in that its the first computer without programming language if he tells her she has a spot on her shirt, he describes it as such, "not look three centimeters down from your neck and then two centimeters over."

Steve finds boxes of TIME Magazine in the back and asks why they are there. She tells him it was a mistake they were going to leave them on all the chairs since it talked about how personal computers were to be the future. But they changed their mind because it was a scathing article that focuses on Steve having an illegitimate daughter, Lisa, which he vehemently denied although one of the Apple coworkers seemed to refute his story. Steve complains about the TIME article, saying that they put a drawing of a man and a PC on the cover. He says he was up for Man of the Year but the journalist has some ill will towards him and that's why he's not on the cover. Joanna tells him Chrisann and Lisa are there and she begs him to meet with her, to keep her from badmouthing him to the 335 reporters in the lobby.

Joanna brings Chrisann and her precocious five-year-old daughter, Lisa, backstage. Chrisann and Steve begin fighting so Joanna leads Lisa out of the room. Joanna has gotten to know Lisa acting as a middle man for John, which we learn when Joanna repeats that Lisa said she loves Joanna's speaking voice (Joanna has a slight Polish accent). Lisa tells Steve she knows he named one of the Apple computers, the LISA, after her. He tells her its something called a coincidence the machine actually stands for Local Integrated System Architecture. She is confused, wondering if he named her after the computer instead of vice versa. Joanna keeps him from loudly announcing his theory that Lisa isn't his daughter to her. Finally alone by themselves, Chrisann is frantic, saying that he inferred in the article that she slept with 28% of the country's population. He said he didn't say that -- but with a paternity test that says hes only 94.1% likely to be the father, he was quoted as saying that it meant 28% of the US population could be just as likely. She insists he called her a slut and points out that his Apple stock is up to 441 million yet her and his daughter are going to have to be on welfare. He responds by shouting that Lisa is not his daughter (hence his refusal to help out financially). Later, in private, Joanna points out that he must realize that Lisa looks an awfully lot like him.

Apple co-founder Steve Woz Wozniak is introduced, said to be socially awkward (Seth Rogen). Steve Jobs notices a man with a floppy disk in his pocket getting into an elevator. He asks what size shirt the man is wearing, what size shirt he himself is wearing. He now wants a shirt with a pocket so he can keep the floppy disk in it and pull it out during the demonstration. He tells Joanna to find someone who wears the same size shirt as him, in white, and to give him his shirt in exchange, as well as a free computer. She tells him, "Why white? What if its blue?" He tells her the computer is beige so he must wear white to offset it. Andy Hertzfeld finds Steve and tells him he still cant get the voice feature to work. Steve tells him to fix it and Andy says they're not a pit crew at Daytona; they cant fix this in seconds. Steve tells Andy they didn't have seconds, they had three weeks. The universe was created in a third of that time. Andy replies, "Well, someday, you'll have to tell us how you did it." Steve threatens to call out every single member who helped create the Macintosh computer on stage itemizing each team member by their creation and tells Andy that he will call him out by name in front of the hundreds of reporters when he gets to the voice feature that didn't work.

Steve returns to the stage to practice his speech. Woz is in the nearly empty audience. He tries to convince Steve to acknowledge the Apple II team during his speech but Steve refuses. They go outside and have a long debate, with Woz telling Steve that the Apple II accounts for the bulk of Apples profits but Steve is dismissive, only focused on the Macintosh and how excited everyone is after seeing the famous Super Bowl 1984 ad. Woz mentions that the Board hated it but Steve doesn't care about their opinion.

Steve goes back in the room with Chrisann and Lisa. He asks why shes not in school and Lisa says that she woke up on time but forgot to set the alarm so her mom overslept. He asks why she should be in charge of setting the alarm but she says its just one of her chores. Chrisann attacks the Macintosh, asking how its going to change the world. He responds by telling her they donate many to underfunded schools. She asks how that answers her question. He sets Lisa up at the computer and tells her to use it however she wants, that she can click anywhere and it cant be broken. While Lisa plays on the computer, he raves about how the machine is the next big thing and will revolutionize how computers are used. He checks on Lisa's progress and then rotates the screen to Chrisann, revealing Lisa has used the MacPaint program to draw what she calls an abstract. He teaches her how to save the file she can already read the word Save, another sign that she is a gifted child. He has now warmed up to the little girl and tells Chrisann he will put enough money in her account to buy a house. She is skeptical but Joanna promises it will be so.

Steve goes into the room with all the technicians working furiously to fix the voice feature. There is discussion about how Steve wanted only two ports a modem and a printer while the others pitched to him eight. Andy Hertzfeld suggests something possibly unethical the program worked fine on a 512K so they can do the demonstration on that instead of the unit they're showing (which is a 128K). Joanna comments that it is, in fact, quite unethical.

The audience is now filled with people. They stomp their feet and start a wave. Backstage, moments before going on, John Sculley (Jeff Daniels), the former president of Pepsi and now CEO of Apple, chats with Steve Jobs behind the projection screen, telling him he heard hes behaving worse than usual that day, which he didn't know was possible. John voices that the Board was unhappy with the 1984 ad and Steve is argumentative, saying it looks like it should win an Academy Award for Best Short Film. John points out that it doesn't show the brand, its set in a dystopian future that the customers don't live in, that there were real-life skinheads in it. Steve argues that that's the look they wanted the characters to have but John counters that real skinheads are racists and they're now associated with their brand if anyone finds out. Debating aside, its obviously Steve and John have much love for each other; John Sculley refers to himself as a father figure for Steve. John then asks Steve why he can only focus on being rejected instead of chosen, pointing out that if someone is adopted, its not that their parents spent time with him and then gave him away its that a couple chose him and agreed to raise him. He doesn't give a solid response. He goes on stage as he is introduced but we don't hear his speech.

Instead, through news footage, we hear that the Macintosh was a huge disappointment and it fell very short from Steve's projected one million in three-month projection. Instead it only sold 50,000 in that time period. Steve was subsequently fired by Apple.

The movie skips forward to the year 1988. Steve has launched NeXT, computer workstations designed for educational use. Joanna and him are preparing for the launch. The product is a black cube and Steve is focused on the design he takes pride in that the machine is a perfect cube and is angry that some of the dimensions are off. Joanna mentions recent articles about his firing from Apple and how Steve Wozniak was the only one to give a no comment in relation to whether he was fired or not. John Sculley actually has said nice things about him in Forbes Magazine, which he finds a bit surprising.

Lisa is backstage with Steve while he puts his foundation on, asking him all kinds of questions. She measures the NeXT with her ruler and says all the sides are the same. He tells her its a faulty ruler and she tells him if she had another ruler, she could measure that ruler but she doesn't. She says as long as four sides are equal, they're all equal but he says its a cube and it has six sides. He tells her the machine has to have the proper dimensions of cube but a few centimeters are skewed because the human eye don't see a perfect cube as such. They have playful banter, revealing they have grown closer over the last four years.

Joanna has a discussion with Steve backstage and he is adamant about the cube being perfect, screaming at everyone. Someone suggests starting late while they perfect the model but Steve repeats that he never starts presentations late. Joanna tells him when he was at Apple, he made everyone uncomfortable and they had contests every year for the person who did the best job standing up to him. She won three years in a row. Joanna then tells him he has reality distortion and reveals that years ago, when he was upset about TIME Magazines cover, it wasn't a PC on the front but a sculpture of a computer. And he was never up for Man of the Year. This new information changes his perspective of things.

Steve Wozniak comes to visit and mentions that Macworld Magazine has written up an interesting article about him. It states that Steve Jobs NeXT is so innovative, he may become Apples CEO. Steve and Woz go down to the orchestra pit. Steve Jobs says he once asked a conductor why his occupation exists, given he doesn't do anything a metronome can't do. The conductor told him musicians can play individual instruments but the conductor plays the orchestra. Steve is a bit condescending to Woz, which infuriates him. He points out that Steve isn't an engineer or a designer. Woz built the circuit board, the graphical interface was stolen, so why does he constantly have to hear that Steve Jobs is a genius? Steve tells him that he is the conductor; they are just the musicians. Woz stops him as he walks away, telling him he only stopped by to give him a warning the NeXT computer is going to flop and its going to be his second failure in four years. Steve tells him, "Tell me something else I don't already know."

Joel Pforzheimer from GQ is there again. He asks Steve Jobs for a quote, on record, but Joanna gives him all the sound bites while Steve stays silent. Joel follows them into an elevator and Steve says the computer is just missing one thing but won't say what. Joel tells Steve hell keep whatever he says off the record, both turning off the tape recorder and removing the cassette to prove hes being genuine. Steve says the missing component is the OS (operating system). Joel asks how he is doing a launch for a computer without an operating system. Steve tells him they are using a demo which shows what it can potentially do but they haven't finished creating these things yet.

John Sculley surprises Steve backstage, saying they need to bump up security. Steve thanks him for his positive Forbes quote but they later get into a heated conversation with Steve pointing out that he used the gentle Woz as a mouthpiece for the company in regards to his ousting. John asks why everyone thinks he fired Steve and complains that hes getting death threats from computer users. They argue with Steve saying the Macintosh would have sold if they had set the price point at $1,495 instead of $2,495 but John says its not the price; users were unimpressed with the machine. They continue fighting and John asks Steve, "Why do you want everyone to dislike you?" Steve replies, "I don't want them to dislike me. I'm just indifferent to if they do." John tells him that Steve will be happy to hear that he dislikes him and always has. Steve admits that he actually liked John.

We learn who was really to blame for Steve's firing (according to the film). Through a flashback, we see John surprising Steve at his home which has no furniture he only has a Macintosh set up on the ground which he tinkers with when hes home. Sculley tells him the Board just decided they want to get rid of Steve. They argue, with Steve pointing out that John hated the famous 1984 ad; John says they had skinheads in it and they didn't show the product. He points out how his Pepsi ads showed the soda, people drinking it. Steve replies, "Sorry to assume the consumer needs to be shown how to use the product." He then accuses John of trying to keep the ad off the air but John tells him, "it's the opposite; without him, it wouldn't have aired at all." They had purchased various air time two 30-second spots and one 60-second spot but after viewing the ad, the network didn't want to air it and insisted they auction off their time. But he kept the 60-second spot and that's how the commercial aired. Steve demands a meeting with the Board.

Next, we see Steve and John in a conference room with the Board on a rainy night, which Steve recalls was the worst night of his life. Steve points out to the Board that he was the one who founded Apple, in a garage; hes an inventor while they are hacks who just lead by a show of hands. He forces an ultimatum between keeping him, who he knows the Board already doesn't want, or keeping John. Of course, the Board votes for Steve to be ousted so Steve had forced the vote just to make John look like he was responsible for his departure.

Steve goes to his dressing room where Chrisann is waiting, demanding more money because she has to go to the doctor for a sinus infection. But he points out that records show she spent $1,500 of the money he's given her to bless her house, which she could have used for things like the doctor. He is furious with her because he knows people who know people and they have reported that Chrisann threw a bowl at Lisa's head. Chrisann defends the report, saying that she didn't throw it at her head that she threw it at the ground and Lisa wasnt even in the room. It is revealed that she was angry at Lisa for forgetting to set her alarm clock, which he says is not something a child should have to do anyway.

We learn that Lisa is now in a gifted school although Steve admits to having funded the school. Steve finds her on a catwalk, listening to a cassette on a Walkman. She says its two versions of the same old song. He asks her what the song is about and she says its in three parts first its about clouds, then love, and then life but in the second half, the singer begins to see these things in a new light. He knows the song, Both Sides Now by Joni Mitchell and tells her its not an old song or else he'd be old. He tells her she needs to get to school because she's a truant and that's a crime. On the elevator down, he asks the difference between the two versions. She said the first is girlish and the other one she doesn't explain.

Joanna pulls Steve backstage, frantic. He playfully asks, "Why havent I ever slept with you?" and she replies, "Because we don't love each other." She tells him that getting the cube the exact right shape means nothing because the product is not going to do well. He tells her he knows. Steve reveals that the Macworld article was right his goal was to show his innovation and ideas so Apple would take notice and he can be reinstated back in the company, as CEO.

Chrisann and Lisa are leaving because Lisa now says she needs to get to school because she doesn't want to commit a crime. Steve tells her he was joking about that. He asks her what the second version of the song was, the first being girlish. Lisa tells him regretful but he tells her she shouldn't be regretful, shes just a child. She tells him that is what the second version is like, a word that seems fitting now that Steve is warming up to his daughter, who he once denounced as his own. She hugs him goodbye and whispers to him privately, "I want to live with you."

Years go by and through real archival footage, we see that Apple falters in the 1990s with the one big gadget launch being The Newton, a PDA that turns whatever you write into computer text. It is mocked by the press and on The Simpsons and considered a failure.

It is now 1998. Steve is getting ready to launch the new iMac. He runs through his presentation for the handful of people gathered in the audience. The iMac is revealed, beautiful for its transparency, bright color, side compartment for all the ports. Steve says that the video on the projection screen was the best hes ever seen. Andy Cunningham comes over and tells him its because shes dimmed the Exit signs for a true blackout. He asks how she managed that and she tells him she connected the light sources of the Exit signs to their system so they can turn them off for seven seconds. She hands Steve quotes on the iMac but Joanna confiscates them and says its best for him not to hear any buzz in advance. Steve knows his daughter is there and asks someone to grab her to come visit with him backstage. He is told Lisa is with her friends but he is insistent someone brings her to him.

Joanna takes Steve backstage and she reveals that she has already reviewed the quotes and discloses what they say everyone is raving about the iMac and it is slated to sell a million units in three months. The statistics predict that 33% of the consumers will be people buying a personal computer for the first time and many PC users are slated to swap over to Mac. Steve says he already knows and jovially begins doing yoga. But Joanna changes the subject to something that makes her intensely upset she has found out that Steve has not paid for his daughters tuition at Harvard. He defends this decision stating that Lisa's mom has sold the house he bought for them. Joanna tells him that's not Lisa's fault but Steve says Lisa could have stopped her from doing so. Its later revealed that Chrisann sold the house at a fraction of its worth, the same thing she has done with sculptures she had previously bought at top dollar with the money Steve gave them. Joanna mentions that Chrisann needs money for doctor visits because she has a sinus infection. He tells her shes had the same sinus infection for 15 years.

Joanna reveals that Andy has paid the first semesters $25,000 tuition. He asks which Andy and she tells him, Hertzfeld and she tells him he needs to start calling the other Andy Andrea. He tells her he could but its not what he calls them that matters; everybody else would have to call her Andrea for him to know who they were talking about. Andy Hertzfeld is outside the door, listening to the conversation as Steve gets upset that Andy paid for his own daughters tuition. Andy finally makes his presence known. Joanna leaves as Steve and Andy talk.

Steve tells Andy that he will wire $25,000 into his account to reimburse him. Andy defends him paying for the tuition by explaining that word would let out that Steve Jobs daughter had to miss out on her first semester at Harvard because her dad refused to pay the money, and it would have made Apple look bad. Steve points out that the expenditure report lists Andy as having purchased other things for her Andy explains Lisa needed mittens because it gets cold in Cambridge. It is revealed that Steve is more concerned with something else his daughter has been seeing a therapist, at the encouragement of Andy, who seems to be closer to Lisa than Steve is. Andy explains that Lisa really enjoys the therapy, so what does it matter who suggested it? He also says that Lisa would like both of her parents to attend with her, revealing that Andy is in constant conversation with Lisa. Steve repeats what he had heard, that Andy suggested the therapist to Lisa to substitute for the lack of a strong male influence in her life. Andy admits its true.

All through the theater, there are blown-up photos of innovators from the past like Bob Dylan, Lucille Ball, etc. Someone asks who is the man in a photo. Steve tells him that its Alan Turing who single-handedly ended World War II and invented the personal computer. When Steve is asked if hes going to include him in his speech, he says no because he just had to explain who he was. Someone mentions that Alan Turing killed himself by a poisoned apple and asks if that's where the Apple logo with a bite taken out of it comes from. Steve says it doesn't but it would be a good story.

Steve goes back onstage to finish tinkering with his presentation. He finally approves the picture of a shark as the demo computers wallpaper. The technician is annoyed, stating its the same as the 37 other shark images that Steves been shown and it was probably one of the earlier ones he initially rejected. Steve runs through his speech, which utilizes Bob Dylan lyrics (who, in real life, Steve Jobs was fond of). Woz is in the nearly empty audience again, like in the 1984 presentation, and he asks Steve if hes going to acknowledge all the people hes just laid off. Steve defends his decision to downsize and refuses to add anyone into his speech. He explains this by stating that there are A-players and B-players in the company and theres no reason to include B-players in his speech. Woz is defiant, stating that they arent B-players, that the employees who design and build the machines are the reason the A-players can shine. Woz says he is sick of being treated like Ringo. Steve replies that everyone loves Ringo. He adds, "But why penalize John for being John? He is who he is and Ringo is who he is." Woz says, "John Lennon is John Lennon because he wrote Ticket to Ride. I wrote the Apple code." Woz says that people ask him all the time why Steve gets acknowledgement and he's always responded that Steve is a genius who invents and he prefers contributing from a hard workbench. But now he thinks Steve is simply an asshole. Steve defends himself by listing all of the improvements he's made to Apple since becoming CEO. Steve tells him "It's not binary. You can be decent and gifted at the same time." He exits.

Backstage again, John Sculley sneaks into the area Joanna and Steve are clustered in. Joanna is quick to sneak John in as he was recently let go as Apple CEO and she doesn't want the press to notice him. He gives Steve a Newton, the gadget that Apple thought would be a big hit but was a flop. They have a cordial dialogue and Steve reminds John of how he said that as an adopted child, he should feel selected, not rejected. But in reality, he was rejected the Catholic lawyer who originally adopted him sent him back to the adoption agency after a month. His mother refused to sign the adoption papers when the less-educated Jobs wanted to adopt him which Steve comments as being flabbergasting, that someone selects him and they're still rejected. As they speak, we flashback to Steve in the early 80s trying to convince John, then president of Pepsi-Cola, to become CEO of Apple. He gets into an impassioned pitch about how the personal computer he's designing at Apple will be so inviting that everyone will have one, in the future. They are waited on by a nice Syrian waiter. John asks if Steve ever met his biological parents and Steve admits he did meet his biological mom. John asks if he ever wants to meet his dad and Steve says that they both have. We now see them again at the restaurant with the waiter he is Steve's father, whom Steve tracked down. John asks if he ever told the man he was his dad but Steve says no but he actually brags to customers that Steve Jobs comes into the restaurant. He fears revealing their relationship would end up in a law suit of his dad claiming some ownership of Apple. Steve is ushered away but he gives John one last note about the Newton before he leaves it was the stylus that kept it from being a hit. He tells him, "Why use one unit when people already have five (he holds up his hand)?"

(Perhaps this a hint at the iPhone, which will become a huge hit for Apple years later; the Newton was the first PDA in the industry and it was the touch screens that made the iPhone so popular).

Outside, Steve is finally united with his daughter, who has been listening to music on her Walkman, just like in 1988. She is not happy to see her father. He tells her he's wiring money to Andy and is glad her tuition is being paid for her. But that's not what she is upset about Harvard has Internet access (i.e., its not as ubiquitous as it is today) and she was able to look up the TIME Magazine article from 1984 and knows Steve originally denied her as his daughter. She says that unknowingly, two of her professors have actually tried to reverse engineer the 28% statistic he listed (stemmed from there being only a 94.1% probability he is the father).

Joanna tries to get Steve on stage as its time to begin his speech but he doesn't care about being late, counter to all the times hes been adamant they have to start right on time. Lisa continues to berate her father and for once, he is gentle and apologetic. She looks at a giant photo of Bob Dylan on the wall and tells him he might give a speech quoting Bob Dylan lyrics and the computer might have a fast processing speed but gesturing to a blown up picture of the blue iMac it still looks like Judy Jetsons Easy-Bake Oven. She storms off.

In the final scene, Steve finds Lisa on the roof parking lot, walking towards her beat-up car, preparing to leave. He stops her in her tracks, asking her if she knows what Apples LISA computer stands for. She says, "Yeah. I read the article. It's the Local Integrated System Architecture." He points out those words don't even make sense together. That it was named after her. He always knew she was his daughter. He reveals the abstract picture that Lisa designed on MacPaint in 1984; he had saved it all these years. She is touched by this. Joanna finds them on the roof and tells him he needs to go onstage. Shelter from the Storm by Bob Dylan song begins to play on the films soundtrack, apparently from Lisa's Walkman. Steve eyes the portable cassette player stuffed into Joanna's pocket and tells her she shouldn't have to keep a giant machine on her to hear music. He's inventing a new gadget that will allow her to play 1,000 songs from one tiny gadget. Or maybe 500 songs. Between 500 and 1,000 songs. (Obviously this is the iPod, which will revolutionize Apple as a company). Joanna repeats that he's going to be late for his speech. But looking at his daughter lovingly, for once, Steve Jobs doesn't care.
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  • Title: Colonia
  • Year: 2015
  • Duration: 1h 50m
  • Rating: 7.1
  • Genres: Drama, History, Biography
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Summary Colonia (2015)

A young woman's desperate search for her abducted boyfriend draws her into the infamous Colonia Dignidad, a sect nobody has ever escaped from.

Lena and Daniel, a young couple become entangled in the Chilean military coup of 1973. Daniel is abducted by Pinochet's secret police and Lena tracks him to a sealed off area in the South of the country, called Colonia Dignidad. The Colonia presents itself as a charitable mission run by lay preacher Paul Schäfer but, in fact, is a place nobody ever escaped from. Lena decides to join the cult in order to find Daniel. Based on true events.

Synopsis Colonia (2015)

It starts when we see Lena (Emma Watson) working as an air hostess on a Chile bound plane. She then travels into the center of Santiago with the rest of the crew who are shown to be a strong group of friends, (she is particularly close to the pilot, Roman) until their van meets the chaos caused by a left wing political rally. Lena then recognizes her boyfriend Daniel (Daniel Brühl) as a lead speaker of the event. He is surprised and overjoyed to see Lena as her arrival was a surprise after a long time apart.

The film then shows us that they are in a serious long distance relationship as she presumably lives in Britain (based on the other crew members' English accents) and he is living in Chile. They kiss each other and Lena picks up the camera to take photos of the moment. After this, we see Daniel developing the photos, most of which are related to his political activities. Whilst eating together, the telephone rings and Daniel is warned by his friend that due an unfolding coup by the Pinochet regime they must vacate the flat immediately. They run onto the street attempting to flee the soldiers who are rounding up everybody. However, they too are caught because Daniel was photographing the event.

The army takes the detainees to the main sport stadium in the city at gunpoint, where a man, with his face obscured, identifies anyone who is supposedly against the new right wing government. Daniel is dragged away into a vehicle resembling an ambulance along with other dissidents whilst Lena is free to go.

After this Lena goes to meet the other people who were present at Daniel's rally. She asks them to help her find her husband but she is simply told that there is nothing they can do as he has been taken south to a place called Colonia Dignidad (Colony of Dignity), a place that doesn't live up to its name. It is a dark cult from which no one has ever escaped. Dissidents are sent there by the army to suffer, and in return the complex stores their arms.

Desperate to rescue her boyfriend, Lena now dressed plainly like a nun with a crucifix takes the bus towards the colony. The colony is in a remote location accessed across several fields from the road, she walks along its high security outer fence towards the main gate, after knocking on the gate she is admitted to the secure complex at which point her passport is confiscated by a senior cult member Gisela (Richenda Carey).

Immediately she witnesses the dark nature of the place when a crying child is upset and Lena is admonished for comforting him by a senior cult member. Stripped of her possessions, she is taken to see the leader, Paul Schäfer called Pious (Mikael Nyqvist), who interviews her about why she is there. She lies that she is there to seek God, however she isn't believed. Pious forces her to strip, and we see that she is wearing more modern clothes underneath. He labels her a harlot because of this and she is questioned further. Her lie that she is there because she needs him is believed, at which point she becomes a member of the cult and agrees not to try and leave the complex.

Meanwhile, we see that Daniel has been tortured by the army until Pious turns up pretending to be a caring savior of those being tortured by the army. Throughout his recovery from this Daniel plays dumb, pretending to be called Hans. Under this false identity he is given light duties, and when he is caught exploring out of bounds areas, he isn't punished .

Through Lena we witness the brutal reality of the place. She must work long hours in a field, in a manner not unlike slavery. Once, after collapsing from exhaustion she is flogged. Begging for water, she is given a bucket full of clean water which she is forbidden from drinking. We see that she is locked in a communal cell at night and that the women who are separated from the men are psychologically abused. They only meet men in what is called a communal parade, performed for important guests. One confused woman Doro (Jeanne Werner) believed she was going to marry a man from this parade who she met only once three years ago. Because of Lena's mistake who tells Gisela about Doro's plans having no idea that it was her secret Doro was taken to a "men's gathering," a form of ritualized abuse where women are told by Pious and their "fiance" that they are ugly, dirty, and unloved . This whole marriage sham was cruelly concocted by the cult leaders to cause anguish to the women and Doro ended in hospital while Lena, hidden, watched the gathering. Pious states that breaking a person without harming them physically is an art. He is also shown to be sexually abusing younger children, who were separated from their parents at birth to live a life of slavery.

In a hope to meet Daniel, Lena swims naked in a river in order to be taken to the men's gathering, to cleanse her of her "indecency". However she didn't see Daniel there as he was trying to escape that night. In doing so he sets off an alarm which calls the men to find "Hans" with guns. This means that Lena avoided a beating, and by being a "retard" Hans isn't punished. They are unaware of each other's presence in the camp until the next communal parade, where Daniel hears that the army will test Sarin gas on, as he is seen as worthless.

Thus they agree to meet in the barn where Lena works each night. Daniel gets there by volunteering for additional work. Accidentally he discovers tunnels under the complex and steeling a camera from the shed he photographs them finding also the room where he was tortured. Next time they meet Daniel gives the photos to Lena who is not pleased with the danger that the photos put them in. With Gisela coming, he hides in the tunnel in the barn whilst Lena hides the photos under a bucket. Lena is now joined by Ursel (Vicky Krieps), Gisela's daughter, a member of her own status, to peel the potatoes. Unequipped for the job, Gisela goes away to get a knife. Seeing upon her return that no peeling has been done, the girls are ordered to move apart and the photos are discovered. Unsuccessfully denying all knowledge Lena appears to be in trouble until Hans steps in to frame his boss saying that he found them in the tool shed. The two are then dismissed, and Lena knocks out Gisela who was escorting her back to her quarters, and she returns to the barn to meet Daniel who found that the next day the Sarin experiment would be performed on him and this is his last chance to escape through tunnels that he believes lead to outside world.

So Lena and Ursel (who lived in Colonia since her childhood believing in their ideas, but now is pregnant and disappointed, knowing her baby and probably her as well will be killed by the cult) immediately enter the tunnels following Daniel, who gets them to the other side of the fence. Lena and Daniel escape while Ursel is killed by a tripwire-operated gun. During this time they are being pursued after Pious realizes that Hans is intelligent after discovering in a mattress the sedatives used in the cult's mind-control techniques.

Now almost free, they hitchhike to the German embassy in Santiago to get new passports, but they learn that the embassy is in cahoots with the cult, which was founded in Chile by German Neo-Nazis.

Despite the embassy being deliberately unhelpful, Lena uses her contacts at the airline to book herself and Daniel onto a flight. Carefully guarding their photos as they are taken to the airport by the ambassador, Lena becomes suspicious about being driven through the back entrance. Locked in a side room she sees that the embassy have brought Pious and the army after them, so she smashes a window and they escape the room just in time. Running through the airport they hear the final call for their flight, despite being told by the embassy they were early, and they can see the plane some distance across the airfield closing its door.

As the action intensifies they can see Pious through a window where Daniel spits at the glass. They steal a baggage truck to race towards the plane where Roman orders the door to be opened. Pursued by the cult and the army, they board the plane just in time, leaving Pious trapped on the steps. The army forces the airport control tower to order the plane to not take off. Sensing the danger they are in, and fueled by his loyalty to his good friend Lena, Captain Roman ignores this order and takes off anyway, saving Lena and Daniel.

The credits then roll after some information detailing what happened to the real life Pious, who died in 2004 in a Chilean prison.
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Watch Joy 2015 Full Movie Online Uk Streaming

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  • Title: Joy
  • Year: 2015
  • Duration: 2h 4m
  • Rating: 6.6
  • Genres: Drama, Biography
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Summary Joy (2015)

Joy is the story of the title character, who rose to become founder and matriarch of a powerful family business dynasty.

Joy Mangano has always been fascinated by creating things, This pursuit was always supported emotionally by her maternal grandmother, Mimi. Joy feels that lack of practical support has led to others making fortunes on ideas she came up with years ago but could not act upon manufacturing. Despite being broke, Joy is the person in her extended family to whom everyone has always turned, in the process forgoing her own life, including not having attended college to help see her parents through their divorce. She works in an unsatisfying job as an Eastern Airlines ticket clerk; and lives with her mother Terry who spends all day in bed watching soap operas; her ex-husband Tony, a less than successful aspiring Latino Tom Jones wannabe; and their two children. Added to this mix is her father Rudy, the owner of a failing heavy-duty garage, which is managed by Joy's older half-sister Peggy, with whom she has somewhat of a strained relationship, and for which Joy does the books. Sharon, Rudy's latest girlfriend who has just dumped him, drops him off on Joy's doorstep, making Joy's home life even more complicated as Rudy does not get along with either Terry or Tony. Joy begins to feel buried by her life, in the process her childhood dream of making things seemingly getting farther and farther away. As such, Joy decides to make some changes in her life, and expects the unquestioning practical support of her family. Those changes include manufacturing a new product of her design; what she chooses this time around being a self-wringing mop. That support also includes being able to pitch the idea to Rudy's current wealthy girlfriend, Trudy. Even if she does get to the manufacturing stage, Joy will have to battle the narrow minds of business executives in marketing her product, that is unless she can find a way to get into the homes of the American public in one fell swoop. But nothing is a done deal until the consumer forks out his/her hard earned money for the product and all the legal issues are dealt with. Joy has to decide if she will "pick up the gun" as Trudy asked in their initial investment meeting in dealing with an especially troublesome legal issue.

Joy Mangano is a bright, energetic young woman with a complicated personal life. She is divorced with two children, her ex-husband lives in her basement, her mother lives upstairs and just watches soap operas all day, and her father (divorced from her mom for 17 years now) is now also living with her. Joy designs a revolutionary new mop and this leads to all sorts of adventures, good and bad.

In 1990, Joy Mangano is a divorced mother of two, working as a booking agent for Eastern Airlines. She lives with her two young children, her mother, Terri, her maternal grandmother, Mimi, and her ex-husband, Tony. in working-class Peconic, New York. Joy's divorced parents fight whenever her father, Rudy, shows up at her house. Joy's older half-sister, Peggy, is an overachiever who constantly humiliates Joy in front of her children for her failed marriage. Peggy and Rudy are very close, and Terri spends all day in bed watching soap operas, leaving Joy to run the household. Only Mimi, and Joy's best friend, Jackie, encourage her to pursue her inventing ambitions..

Synopsis Joy (2015)

The film opens with a scene from a soap opera. One woman (Donna Mills) convinces another woman (Susan Lucci) that she needs to be a strong woman. Hands her a gun. Two male actors walk up and add to the scene, all filmed in a master shot from set so you can see how silly it looks when seen this way.

We are told this film is a true story is inspired by strong women everywhere but mostly one in particular.

The films narrator introduces herself she is Mimi (Diane Ladd) who introduces the girls we see playing outside her dad's auto body shop is a young Joy, there is her half-sister Peggy (from Joy's father's previous marriage), and there is Joy's close friend, Jackie. Mimi also introduces us to Joy's mother her daughter, Carrie (Virginia Madsen) who is obsessed with soap operas and Joy's father, Rudy (Robert De Niro), the owner of the auto shop. We also see Mimi for the first time when she tries to instill confidence in Joy despite her dysfunctional upbringing she tells Joy she is going to grow up to be a strong woman, meet a nice man, have beautiful children, and is going to build wonderful things.

Young Joy is an inventor and she has built a house made of paper in her room. She tells her half-sister, Peggy, a story about a princess and her friends that live in the house Joy, herself, is represented by an origami swan and invited to play. Peggy tells her there needs to be a prince if there is a princess in the but Joy is adamant that there is no prince.

In present day, Carrie (Joy's mom) is now watching a soap opera in her bedroom, which she never leaves. Because of this, Joy constantly has to cater to her and take care of her. At this moment, the adult Joy (Jennifer Lawrence) is in her airline uniform, looking in her mother's closet for the lanyard she needs for work. Instead she finds an old dog collar. She shows it to her mother, reminding her she invented it after choking their dog on a walk -- it has a breakaway material so dogs can't be choked. But her mom wouldn't get a patent for her and now another company has patented it and is selling it. Carrie just responds that she doesn't know how to do patents. We meet Joy's two children as she wrangles them up. The doorbell rings, surprising everyone. It turns out to be Joy's father who is having problems with his girlfriend of two years so he's moving back into the basement. Joy says he cant because her ex-husband lives down there. Carrie tells Rudy he can't stay there and he mocks her for watching soap operas and never leaving her room -- he tells her she's like a gas leak that is silently killing them all. They get into a quarrel and Rudy breaks a bunch of things, which upsets Carrie. Rudy goes downstairs into the basement to move in and Joy's ex-husband, Tony (Édgar Ramírez) is down there practicing a song in Spanish for an upcoming gig. Rudy and Tony begin to bicker. Joy tells them not to kill each other and uses a roll of toilet paper to divide the room in half. She goes upstairs, charging out the door with her cup of coffee to get to work. At the airline desk, a customer yells at her and throws her itinerary in Joy's face, demanding to speak to her manager. Joy's coworkers pull her aside and tell her she's been moved to the night shift which Joy points out she can't do because of her family.

Joy visits her dad at his shop, tells him about her job. Her older half sister, the adult Peggy (Elisabeth Röhm) is there, and she tells Joy she should take over Peggy's position at the shop so she can do more important, managerial things for the company. She obviously has rivalry towards Joy and a self-aggrandizing attitude. It is mentioned that they have gun practice across the street (which will come into play later). Rudy makes a phone call about a woman he liked -- he reveals to Joy he joined a service via a 900-number where he finds single women based on their four digit ID number. He talks on the phone to his selection, who is named Trudy -- he finds this funny as his name is Rudy.

At home, Carrie continues watching soaps in bed while Joy tries to fix a huge leak under her floorboards. The entire bedroom is flooding and Joy chastises her mom for rinsing her hairbrush (and hair) in the sink. It is now so clogged, Joy says it's beyond her abilities and she'll have to call a plumber. Carrie is nervous about a man coming into her room because she has retreated from the world. Joy falls asleep while the soap opera plays and dreams she is in a soap opera, with the characters from the show harassing her alongside her own family.

We now flashback to what Joy's life has been like and why her family causes her such anxiety. Her parents get divorced 17 years earlier. They argue over visitation rights and Rudy accidentally destroys the origami house that was shown to be so important to Young Joy earlier.

Years later, Joy's childhood friend Jackie (Dascha Polanco) invites Joy to a house party. When they arrive, a Mexican band is on stage, singing in Spanish. The lead singer is Tony, who grabs Joy and begins dancing with her. They go to the back room and have a conversation -- he brags that he's going to be a famous singer, the next Tom Jones. She tells him she was valedictorian of her class and got into a great college in Boston but had to give up on her dreams to stay home to watch her recluse mom. He tells Joy that her dreams are just on hold.

The next time we see the two, they are performing in a musical theater show together. As fake snow falls on the stage, they sing a song to each other.

Then we see their wedding. While Rudy is putting Joy's veil on her head, he tells her she should have married a lawyer or a doctor. She is annoyed he is telling her this at that specific moment (her wedding). When it's time to give a toast, Rudy goes into a huge speech about he likes Joy more than Peggy, he acknowledges his new girlfriend (the one who kicked him out at the beginning of the film), and tells Joy that her marriage won't last. He then accidentally breaks the glass he is toasting with. Cut to Joy and Tony fighting, with their two kids in the room. He thinks she's mad at him because he hasn't becoming famous and is just playing gigs at the same club over and over. She tells him it's because he drinks too much hence his current hangover. Her infant son begins to cry in Joys arms.

Back to present day. There is a ring at the doorbell. Joy now remembers she hired a plumber, who is a handsome black man from Haiti named Tousssaint. At first, Carrie is very nervous about him entering the room, citing a soap opera plot line where a woman is kidnapped in her home. Carrie asks Toussaint how long hell be; he says it should only take a day. She then asks if he can put a sheet up so she can have her own space while he works. He politely agrees and calls her mademoiselle. This changes her feelings about him and she now seems entranced.

Joy joins Rudy and his new girlfriend, Trudy (Isabella Rosallina) on a date. She is an Italian woman whose husband has recently just died and she has been left with a lot of money. She tells Rudy about her husband's boat that she inherited and invites Rudy's family for a trip. Trudy asks them to bring wine but not red wine because it will stain the wood that her husband has had laid down on the deck.

Cut to Tony bringing bottles of red wine onto the boat despite Trudy's discouragement. The yacht gets rocky and everyone struggles to keep his or her glasses from spilling. Joy's glass actually breaks which horrifies Trudy. While the others lounge, Joy tries to mop up the glass and when she goes to wring the mop, she finds her hands are all cut up from shards of glass.

Back at her house, Joy's cuts are catered to. She begins to fall asleep on the stairs, terrified of sleeping in her bed because of all the weird dreams she's been having (i.e. the soap opera dream). The group gives her children's cough syrup to put her to sleep. When she wakes up, she begins thinking. She has a new idea for an invention. She runs upstairs to her daughter's room and begins drawing out her idea in crayon. Studies the yarn on a doll's hair.

When Joy next sees Tony, she tells him she needs him to move out. He needs to get on with his life. Her father is ecstatic that he will now have the basement to himself but she tells him to move out, too. She says she has an idea for a new invention and she needs Trudy to put up the money. Rudy arranges for Trudy to pitch the idea in his office. Joy explains that she wants to design a self-wringing mop that you never have to touch, using her crayon drawings as visual aids. While she gives her speech, the work in the auto shop drowns out her voice so Rudy has to tell them to be quiet via the intercom. Trudy is skeptical, saying Joy doesn't have a prototype but instead just some drawing. Rudy chimes in, saying Trudy will have to see a model of what she is envisioning. Joy goes to one of the welders in her dad's shop and asks him if he can weld something for her.

Joy works and develops a mold of what she wants. Her mother surprises her by leaving her room to say hello -- the plumber, Toussaint, is with her and it's obvious they are smitten with each other.

Joy now pitches the prototype to Trudy, in the office again. This time, Jackie and Peggy are there. Joy loops 300 feet of cotton around Jackie's hands for several minutes until it's all combined into a mop head. She demonstrates how this means the mop is one continuous loop, which can easily be cleaned (instead of individual strings like most mop heads). She also adds you can remove it and clean it off in the washing machine. Trudy gives a speech that her husband worked hard every day for 50 years to earn his fortune and he said he would never forgive her if she mismanaged even one dollar. She was given four questions for prospective investment deals -- the first is, where did Joy go to high school? The second is, what was her position in school? (Joy answers she was valedictorian). This appeases Trudy. Peggy interjects, saying Joy has never run a business in her life. She points out that shes been managing the auto shop and any investments should go towards that and not Joy. Jackie interjects, asking what the third question is. Trudy asks if Joy can promise a return in six months. Joy agrees which makes Tony nervous. Joy is then asked the fourth question, which is in the form of an analogy -- "There is a gun on the table. The only other person in the room is an adversary in commerce. Only one of you can prevail. Do you pick up the gun?" Joy says it's a weird question but assures her she will, in fact, pick up the gun. Trudy says she will have to tell her lawyers that Joy said that. She's also going to check that there aren't any existing patents similar.

After Trudy's lawyer does a search, he finds a patent filed in Texas for a similar design by someone in Hong Kong. They work with a manufacturing plant in California and so Trudy arranged that they would be a part of the enterprise in exchange for providing work for the plant. It's cheaper, anyway, than manufacturing it locally so Joy doesn't have any issue with this. Edgar is angry, complaining that Trudy's lawyer doesn't specialize in but Rudy tells him to shut up and they bicker as usual.

Trudy gives Joy $50,000 to start up the operation. The plant in California sends over parts but they have overcharged her, billing her for redoing mistakes they made. This makes everyone nervous that they're dealing with unscrupulous people. Joy phones Gerhardt, the man who filed the patent in Texas, and tells him that he's overcharging her. He claims they were redoing her mistakes but she is not stupid and points out it was the plant's and he's trying to take advantage of her. She tells him she wont pay the overcharges. Joy hangs up to end the discussion, which impresses everyone else. She then tells all those in the office never to pay the overcharges.

Now Joy has to find a place to sell the mops. She starts by going to the head of a local store and pitches the mop to him. He tells her he doesn't want to sell a $20 mop that you only have to buy once -- he wants to sell a $5 mop that you have to buy hundreds of in your lifetime. The fact that the mop only needs to be purchased one time is a bad thing, in his mind, because there's no return revenue.

Now, with an excess of product, Joy has to try to sell one by one. With her daughter in tow, she sets up a display in the parking lot of Kmart and tries to convince women passing by to purchase one. Nobody stops or engages in conversation. So Jackie jumps in and Joy walks by with her daughter, pretending to be a customer who is talked into trying the mop. Right as people begin to take notice, the police come and confiscate the mops, telling her she can't solicit customers in their parking lot. Joy is upset they have taken three of her mops and goes back to her car -- she has to kick the car door to get it to open. When she gets home, there is a bill taped to the door -- she hasn't paid the phone bill. Joy has now reached a new low. She has been given a huge loan from Trudy but cannot find any way to sell the product.

Then Tony, her ex-husband, visits and tells her he might have a friend who can help her sell the mop. (Its now clear that even though their marriage didn't work out, they still care a lot about each other). Tony drives Joy to Amish country for a meeting but the large corporate building they're headed to isn't related to the Amish it just happens to be nearby. They wait and wait all day but are ignored -- Tony hadn't scheduled a meeting; he just happens to know someone who works there. That friend comes out and says they have to come back tomorrow for a possible chance to meet the guy in charge. Joy demands just two minutes and steps inside with her mop. There is a large meeting going on in a boardroom and Joy promises she just needs two minutes. She tells them about the mop but the guys just make sexual references when she talks about wringing the head. The man in charge Neil Walker (Bradley Cooper) apologizes, says they're tired after a long day. He asks her if she knows where she is. She says, no. He tells her the company is QVC and gives a history of his track record -- he was a manager of several Kmart's and worked his way up and up until he became appointed to run QVC. He tells her it stands for Quality, Value, Convenience. They sell great products, not junk, which is what her mop is. She confidently tells him it's not junk.

In the QVC bathroom, Joy mops up the entire place until it is clean. She points out that she didn't have to wring the mop once because it has 300 feet of continuous cotton. She then points to the adjacent kitchen, saying she has cleaned all over the toilet and would he use his family mop to then clean the kitchen, spreading those germs? With her mop, he can remove the mop head and wash it in the washing machine. Neil is convinced and he asks her if she can get 50,000 units by next week. Joy tells him, "I think so."

Neil shows Joy around the makeup room in the building. The male spokesman is having a meltdown and he calms him down by telling him hes the best seller which upsets a spokeswoman seated nearby. Joy then is led out into the rotating studio. A dog runs to Joy as the stage rotates and it's revealed to belong to Joan Rivers (Melissa Rivers, playing her real-life mother). Neil points out they use celebrities to sell along with their hosts. We see Joan and the spokeswoman sell jewelry to the audience. Neil points out they're masterful at selling the product with their hands. The phones light up. The jewelry sells thousands and thousands, all kept track of on a large display nearby while dozens of phones are answered and callers gush about the product on air. Joy realizes she can sell out all her mops with this opportunity. But she needs more money.

Trudy is reluctant to give Joy another $200,000 because she hasn't gotten her initial investment back. Peggy complains again, saying Joy shouldn't get that kind of loan when she actually has ideas that pertain to her father's business. Trudy decides it is only fair if Joy takes on the risk herself, putting up half of the money. It is suggested that she takes out a second mortgage. Joy is nervous but confident enough in QVC that she agrees. Now, realizing she might lose her home, Joy goes over to the gun range behind her father's shop. She asks the man if she can shoot off a few rounds. He tells her he's seen her grow up, coming in and out of the shop, but never talked to her. Joy shoots several rounds, apparently hitting her targets (we don't see). She then hands back the gun, having gotten the rage out of her system.

An operation is set up in Rudy's auto shop, with the order supply is kicked up to fill the 50,000 units. Joy is polite and speaks in Spanish to a group of women who she trains to assemble the mops.

Joy and her family gather around the TV to watch her mop being sold on QVC. The spokesman tries to demonstrate how to use it but he doesn't know how instead he drips water all over his shoes and complains about getting wet. No calls come in. After dead air, they move on to another product. Joys family is horrified they have $250,000 tied up into this product selling. Joy receives a phone call from Neil. She tells him the salesperson didn't know how to use the product but he said it just wasn't a good product. She explains she is going to lose her home; he tells her that her contract says QVC will cover one-third of the expenses lost but even that isn't guaranteed.

Trudy is distraught, saying she will have to declare bankruptcy and suggests Joy does, too. Instead Joy drives to the studio, demands a meeting with Neil. She tells him she has to be the one on camera. He tells her, "We don't use regular people. We use spokesmodels and celebrities". He asks her if she's ever been on TV before, points out that most people freeze when the camera is on them. She tells him she uses the product so she will be the one to sell it. He is finally sold when she points out her demonstration in the QVC bathroom is what convinced him to put it on the air.

Backstage, Joy gets all dolled up in the same makeup room she saw during the tour. She is given an early 90s hairstyle and then changes into a poofy black early 90s style dress. She tells Neil she wants to make just one change. She comes out and her hair is down and she's wearing a shirt and trousers. Joy tells Neil that's what she wears and that outfit is her. Joan Rivers walks by and says Joy looks good but she should be in a skirt to show off her great legs. Joy says she's going to have to ignore Joan Rivers suggestion.

Now Joy goes on the QVC stage. The camera rolls. Countdown. And then she freezes. She mumbles on-air that she's Joy and doesn't know what else to say. The family is watching once again from home. At the station, there is dead air. Everyone is panicking. Then a stage manager says they have a call. Neil says to patch it through. Joy is confused; how can they have a call already? She hears Jackie's voice asking her about the mop. Joy perks up, knowing who's on the other end. She tells the caller that its a mop with 300 feet of continuous cotton that you can clean an entire floor with, without having to wring it. Jackie replies, "That's perfect for my family. I want three". Now Joy gets more confident and begins pitching the mop. The phones light up. Orders pour through. After its sold tens of thousands, she tells the audience she hasn't told them the best part you can remove the mop head and wash it in the washing machine. At the end of the broadcast, it has sold 50,000 units.

Neil congratulates Joy backstage. She said she was afraid he was going to tell her the counter was broken.

Joy goes on the QVC again, now selling 100,000 units. Neil tells her he is proud of her, and says that if they ever become adversaries in commerce, he hopes they'll still respect each other. The love fest is broken up when Joy receives an urgent phone call.

The next scene shows Joy at the funeral of Mimi (ironically, Mimi narrates this event). Peggy shows up to the funeral late. Back at the house, Joy learns that Peggy was attending to some business in California. The manufacturing plant halted production until it could get more money. Peggy claims she took care of it by paying the money owed (when they overcharged Joy) and offering an extra $2 a unit. Joy is shocked, pointing out that if they paid that price, they would lose money. She now has to go to California herself with the argument that Peggy doesn't represent her company. She tells Peggy, Never speak on my behalf about my business again.

Joy arrives in California in a dilapidated manufacturing factory. The waiting room has her mop on display, listed as their latest invention. When a man notices Joy waiting, she asks to speak to Marv Brickman but is told he's not there. But Marv shows up and begins to debate with Joy about the deal he's made with her half-sister. She says she didn't approve that deal and she will go broke if she agreed to it. Joy finds it funny that ever since they had a lot of sales on TV, the plant want to demand more money. She accuses him of shaking them down. He tells her she should be paying more now because the increase in demand causes wear on their machines, that her molds break and have to be replaced every day. She is skeptical of her molds needing daily replacement and asks to see them. She is told no. It's obvious she's not getting anywhere with them. She asks to use their bathroom.

In the bathroom, Joy notices a side door that opens up into the factory. On a table is a blueprint of her mop design that they are claiming is their own. Marv finds Joy there and she screams at him, saying its her design. She tries to take back the molds but the police come and arrest her. Marv said he called them as soon as she showed up in the building. Outside, Joy is arrested for trespassing and put into a cop car.

Joy is bailed out of jail by Trudy, who has flown to California with Rudy and Joy's daughter. Trudy points out that not only is she at a loss of over $150,000 but they now have new expenses flying there, bailing Joy out of jail. Joy has been told by their lawyer that when Peggy paid off the overcharges, it validated Joys work relationship with the factory. She can go to court and explain that Peggy had no jurisdiction to make business decisions on her behalf but the court case will take years and they'll probably not even rule in her favor she shares a patent with the guy in Texas, therefore its his product as well as hers. Joy complains that they should have dealt with a patent lawyer, like Tony had originally said. Trudy and Rudy tell Joy they need her to declare bankruptcy and a notary is outside the room, with the paperwork. Rudy tells Joy its his own fault for giving her the confidence to think she was more than just an unemployed housewife. Joy now begins crying, tells her young daughter never to believe that shes special or that the world owes her anything. Her daughter reminds Joy of Mimi's prophecy but Joy says Mimi was wrong; she wont achieve dreams. Hesitantly, Joy signs the bankruptcy papers. She then tears her crayon designs for the mop off the wall.

Joy goes to sleep. Then in the middle of the night, she cuts off her long hair in the bathroom. With a shorter hairdo, she seems more mature and now has a new confidence about her.

Joy flies out to Texas. She walks into her hotel and goes into her room. A man enters shortly after. She asks if hes Gerhardt. He says he could be or he could have been sent as a representative. Joy tells him that last night, she was distraught and called Hong Kong at 1:00 AM which is 5:00 PM their time she mumbles that it always amuses her how time works like that. When she mentioned to the Hong Kong inventor (who hired Gerhardt) about the patent, he said he was never told about the deal Gerhardt made with Joy. She points out this is fraud. She then looked into his design and realized its nothing like her own mop, after all. This is another count of fraud. She said her lawyers are very insistent that she file a lawsuit on these grounds. Immediately, Gerhardt backpedals and says hell pay back the $50,000 initial investment. Joy isn't happy with this deal. He offers another $20,000. She ignores him. Then he offers another $50,000. She now acknowledges him and suggests he adds interest, too. He does. She smiles and pulls out a contract that absolves their relationships. She writes in that he will pay her $50,000 plus $50,000 and interest. He signs.

Joy walks down the street confidently. She looks into a stores window display. There is a house inside similar to the one she created as a young girl. A TV in the window says, Is it snowing? and on cue, fake snow begins to fall on her from overhead. Joy walks away.

Mimi tells us, as the narrator, that Joy didn't know, when she walked down the street, what her life was going to become.

We now see a giant estate and are told Joy moved into a nice home. She had 100 more inventions things like velvet hangers who conserve closet space. Hundreds of million sold because apparently this is the kind of thing that consumers want. Joy employed her family and remained close to them, even after they sued her, claiming they were owed some of her money and that they were more involved in the inventions than they were.

Neil stops by and visits Joy on her estate. He wants her to work on the Home Shopping Network as QVCs biggest success story but she is hesitant. Their fondness for each other is adamant after all these years.

Joy sets up an office in her house for inventors like herself. A woman comes in with her husband and baby. Joy is very sweet and respectful to her, unlike the men she met with when she was pitching the Miracle Mop. Joy asks the lady where she's from, what hotel she's staying at. The woman shows her product to Joy a lint roller you can bring with you when you travel. Joy compliments the prototype and asks the woman to come back tomorrow. The woman tells her she only has one day off from work. Joy says she will have her team make a call to ensure the woman can stay an extra day. She also upgrades the woman to a nicer hotel so shell have more room for her baby. Joy says shes eager to have the design team meet with the lady so they can begin working on developing her invention for mass consumption.
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Eddie the Eagle 2015 Full Movie HD Online Stream

Watch Eddie the Eagle (2015) Online Free Movie Streaming

  • Title: Eddie the Eagle
  • Year: 2015
  • Duration: 1h 46m
  • Rating: 7.4
  • Genres: Drama, Comedy, Biography
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Summary Eddie the Eagle (2015)

The story of Eddie Edwards, the notoriously tenacious British underdog ski jumper who charmed the world at the 1988 Winter Olympics.

Inspired by true events, Eddie the Eagle is a feel-good story about Michael "Eddie" Edwards (Taron Egerton), an unlikely but courageous British ski-jumper who never stopped believing in himself - even as an entire nation was counting him out. With the help of a rebellious and charismatic coach (played by Hugh Jackman), Eddie takes on the establishment and wins the hearts of sports fans around the world by making an improbable and historic showing at the 1988 Calgary Winter Olympics. From producers of Kingsman: The Secret Service, Eddie the Eagle stars Taron Egerton as Eddie, the loveable underdog with a never say die attitude.

In 1973, ten-year-old Eddie Edwards dreams of Olympic glory, practicing in various Olympic events and failing miserably. His mother unconditionally supports him, while his father constantly discourages him. As a young teen, he gives up his dream of participating in the Summer Games in favor of skiing in the Winter Games. Although successful at the sport, he is rejected by British Olympic officials for being uncouth. Realizing he could make the team as a ski jumper (a sport in which the United Kingdom had not participated in six decades), he decamps to a training facility in Garmisch-Partenkirchen, Germany. The more seasoned jumpers, specifically those on the Norwegian team, belittle him..

A semi-fictional account of the rise to fame of Eddie 'The Eagle' Edwards is told, he, since a young age, whose aspiration to be an Olympian far stronger than the odds against him in not being very athletic, not being very coordinated, being nearsighted, and not having the meaningful support, financial or otherwise, to achieve the goal, besides the emotional support of his mother who did not want to burst the dreams of a child. By 1987, at age twenty-two, he managed to teach himself an Olympic sport which he performed adequately, namely downhill skiing. Regardless, he is told by the British Olympic Committee that he would not only not make the 1988 British Olympic ski team, this the one and only year he would even have a shot in being prime age, but that he never would in just not having enough inherent talent as an athlete. In learning that the Brits are not and have not fielded a team since the 1920s and that under existing British Olympic Committee rules he would only need to have completed a sanctioned competition to qualify, Eddie decides instead to change sports to make it into the 1988 Winter Olympics despite never haven participated in the sport at all before: ski jumping, he traveling to Garmisch, Germany to learn how to do it. Added to the list of positives fighting the odds against is the needed attribute of fearlessness. Unlike the self teaching he has done before with skiing and other sports, Eddie quickly discovers that that will only take him so far in not even being able to jump the smaller Olympic hill, the 70m, without that help. He is able to secure a "coach" of sorts, Bronson Peary, despite Bronson not totally agreeing with Eddie's motives. Bronson is a black sheep like Eddie in being an American ex-jumper from the 1970s who fell out of favor with the sport's establishment, including his then coach Warren Sharp, Bronson now an alcoholic and piste driver at Garmisch, where no one except the all knowing Petra, a server at a local bar, knows his truth. But with every step forward Eddie and Bronson are able to take, they hit one wall after another, from the British Olympic Committee, other athletes, especially members of the British Olympic team and other ski jumpers, and his father, who only wants him to focus on a real life and not an unachievable pipe dream.

Synopsis Eddie the Eagle (2015)

Eddie the Eagle (Grint) is a very British hero, i.e., not very good, goofy and endearing. The film plots Eddie's entry as the only British ski jump competitor in the 1988 Calgary Olympics. Easily the worst competitor, Eddie becomes a fan favourite. His path to glory is strewn with anecdotal stories, slapstick moments and other antics.

To paraphrase Eddie, "I realised two years before the Olympics that I might be able to get to Calgary because no one else was going to apply and so started training. I got a lot of advice from Austrian and French ski-jumping coaches, but because I can't speak French or German, a lot of it went over my head."

A legend was born
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